the Answer is in the Intro.
“Tell me what you feel.”
But I didn’t tell him. I didn’t say anything at all. I buried my face in his shoulder that he’d turned away from me and pleaded for the words to come. They did not.
The thing about perfect is…
…he’ll never know he’s your perfect unless you tell him.
Another rough weekend in Long Island. I say ‘another’ like I expected it was possible, but that’s too much false credit and it never ceases to impress me how- how on Earth did I not see that coming? It feels as though I’ve lived 100 of the same stories out on Long Island; different years, different bands, same boys, same endings. I keep going back for more. There seems to be such a fine line between my faith and my stupidity. But I can’t help it. Have you looked into his eyes? I’m there.
Every story happens fast on Long Island. How is that? Time moves so slow there, and yet our stories unravel, pages fly. Things are over before we really knew they had begun. It seems I’m always writing in retrospect, and that seems cowardice. The words are somewhere, and I feel like me of people should be able to find them. Why can’t I?
Streetlight Diaries is not about love. It’s written by someone who’s given every drop of hers away. I desperately wish I could regret some of the distribution, but I can’t. I believe every bad decision was worthwhile. It’s the good decision I seem to be having some trouble making. I seem to be afraid to risk letting something right happen.
It’s easy to give love where love is not reciprocated. It isn’t really a risk to say ‘I love you’ to a closed book. But if there’s a chance that someone could love you back, well that’s scary. To me, it’s terrifying. So when he asked me to tell him how I felt, well…
Everything about him amazes me; his smile, his purpose, his talent, his shoes, the things he’s brave enough to say. I want to be amazing back. Which is why I ran and why my waste basket is full of writing that just isn’t good enough. Which is why I didn’t tell him. I can’t write the same story again.
Another weekend in Long Island. I sit on a ratty couch stashed upstairs in a dungeon space that I call someone’s home. A smooth fog of white cigarette smoke entraps my thoughts, keeping me still and in the present for now. I squint to detect 2 faces coming through the smoke; beautiful boys in flannels and loose keffiyeh scarves, with subtly dirty hair and cameras in their hands. Downstairs a bassist paces about his practicing and I sit here with my scribblings. There is another artist on the way; an artist I have something very important to tell.
“You are….”
…terica.